…sharing the knowledge in 2021:

Zoom presentations have been a great opportunity to share the research at

Lab O on the historic canvases and textile fragments located in the museums:

Conserving Canvas Zoom Presentations series:

8th July 2021

email announcement by The Getty Foundation::

“Dear Colleague,

Thank you for RSVPing to our Conserving Canvas Zoom Presentation series. Our next presentation will be held this Thursday, July 8th at 9:00am PT (Los Angeles time). This is a very special presentation (outside of the Conserving Canvas grants) and very relevant to the paintings conservation field. Please be sure to join!

Presented by Helena Loermans, the talk is titled “Canvas: The Textile Layer in Paintings.” Helena is the founder of Lab O and a Dutch weaver working in Portugal. She will talk about her research and reconstruction of a-typical canvas patterns.

Please note that the presentation will be recorded (not including the Q&A) and that we use the same Zoom link for each presentation.

You may use the link below to join:

See you soon,

Getty Foundation

Getty Foundation  |  getty.edu

—————————————————————————–

A 3 min video poster presentation at the CTR conference “Old Textiles-More Possibilities: Weaving sources together” in Copenhagen

15th June 2021

—————————————————————————–

Zoom presentation in “PONTO textile art in perspective”

“Preserving, defending and /or renewing the role of traditional textile centers? Évora-Arraiolos

12-13 June 2021

El Greco

1541-1614

weave drafts of the canvases of the altar pieces of the Sanctuary of Our Lady of Charity, Illescas, provice of Toledo, 1603-7 and of the canvas of “View and Plan of Toledo” 1608

Note that the canvases are both woven on a loom with 14 shafts…

El Greco

1541-1614

Find the (almost invisible) differences in the pattern of the two canvases in the first row. The warp threads were threaded in the same design in the loom , the weaver skipped a few weft passes in each repeat. Not a mistake!

scroll here:

El Greco

a closer look at the canvas of “Isabella d’Este” (1536) and a tablecloth in “Supper at Emmaus” (1530) both by Titian

similar lines in the pattern of the canvas of “Isabella d’Este” 1536 and in the painted tablecloth in “The Supper at Emmaus” 1530

reconstruction of the canvas of “Isabella d’Este” 1536
the pattern of the tablecloth in “The Supper at Emmaus” 1530 (painting on a plain weave canvas)
“The Supper at Emmaus” 1530 (painting on a plain weave canvas) by Titian
“Isabella d’Este” 1536 (painted on a canvas with a pattern) by Titian

No connection in the lines of the patterns of the canvases of “The Vendramin 1540-45 Family” and “Isabella d’Este” 1536

Close examination of the weave drafts reveals the differences

weave draft of the canvas of “The Vendramin Family” 1540-45
weave draft of the canavs of “Isabella d’Este” 1536

I will soon publish about the connection in the pattern of a textile find in the Oxburg Hall restauration, stay tuned!

…seeing lines between a textile in The Oxburgh Hall Finds and a tablecloth pattern, painted by Titian …

…I could not be more grateful for coming accros this interesting lecture by Anna Forrest and The Warburg Institute from december 2020.

Textile finds are part of these discoveries.

At the Warburg Youtube page is written: “Anna Forrest (National Trust) examines how the recent discoveries at Oxburgh Hall shed light on the vibrant material culture of recusant Catholics at a time of persecution. As the Oxburgh Hall project is still in its early stages, this lecture presents a key opportunity to discover how curators go about analysing objects, and start to formulate conclusions, while a project is still evolving. Dr Tessa Murdoch from the Victoria and Albert Museum acts as respondent for this event.

screenshot from A Material World – Portable Devotion: ‘The Oxburgh Hall Finds’ presented by Anna Forrest
https://www.youtube.com/watch?v=3CUUHGSH_mc&feature=youtu.be
screenshot from A Material World – Portable Devotion: ‘The Oxburgh Hall Finds’ presented by Anna Forrest
https://www.youtube.com/watch?v=3CUUHGSH_mc&feature=youtu.be

below:

Titian’s painting “The Supper at Emmaus” shows a tablecloth with a pattern.

In both analyses we only see the lines, I hope to receive higher quality pictures to analyse the textile piece that has been found recently in The Oxburgh Hall. An amazing story !!!